I eagerly took them home, created a simple set and used the stop motion feature on my camcorder to shoot.īoy, was that tedious! I made a simple one minute film that was crude and somewhat jerky but I was proud of it for a homemade film. Here I was, an adult, shopping for Lego blocks. For the dialogue you didn’t have to worry about lip synching since you were using the Lego blocks. Some of the productions were really impressive, replete with sound effects, dialogue and the whole works. June 2, - Years ago I watched these movies online called “Brick films.” They are basically little films made with Lego blocks, using simple stop frame animation. They did this effect in some of the earliest silent films too. With each shot, she could position her “skateboard” somewhere else, so when all the frames were shown in full motion, it looked like she was skating across the carpet, over the couch, around the corners and so forth. Then she would move and I would take the next shots, and so on, over and over. This is a variation of standard frame by frame animation but it’s called “pixilation,” although I don’t know why.īasically I had her stand on a skateboard and freeze, while I took several frames. June 4, - Yeah, I used object animation once to shoot my daughter “skating” across the living room floor. You can find some funny videos online of creations made using this software. Some of it is frame by frame, while others use key frame animation that is easier and less tedious. With this software you can focus more on the animation and less on the art. The absolute easiest kind of software in this regard is the kind that lets you make basic stickman animation. Then download some free animation software. He used his magical talents to bring an imaginary world to life, enchanting and entertaining millions of people both young and old, all over the world.If you want to learn how to make animations I would recommend first that you get the classic book, The Art of Animation, which basically tells you the history of animation from stop motion to the present. – Paul Driessen, Dutch film director, animator and writerĬo Hoedeman relays how he found his niche in the Canadian film world as a Dutch immigrant. Co’s memoir tells us of the rewarding life of an animator who travelled far to reach his goals. When I met Co at the Cinecentrum studio in Holland in 1964, little did I know that our paths would cross again in Canada where Co would become a famous NFB filmmaker. Co came to Canada with the hope of working with the NFB-not a day goes by that we are not immensely grateful! – The National Film Board of Canada These classic works convey strong humanitarian values-respect for the environment and others’ differences, social inclusion, peace-while treating even his youngest viewers with the deepest respect. Awards & ReviewsĬo Hoedeman is a master of stop-motion animation whose extraordinary creations are brought to life via an amazing range of materials. Frame by Frame presents that life and journey. In his lifetime, Co Hoedeman has accomplished his dreams, despite the agonies of a World War, the trials of immigration, and the barriers of starting a new life as a stranger in a strange land. The director of more than 27 acclaimed NFB films, including an Academy Award for Le Château de sable / The Sand Castle, he is recognized worldwide as a master of stop-motion animated films. Working in collaboration with Inuit artists from Nunavut and Nunavik, his respect for the Inuit iconography, language and music manifested in a rare anthropological poetry and began his continuing involvement in the culture and concerns of the peoples of the North. Shortly after joining the National Film Board, he began to make film history with his innovative techniques and his films based on Inuit legends. It was there where he became part of the vanguard in Quebec animation, launching a distinguished career combining animated film, writing and directing. Living through the Nazi occupation of Holland and arriving in Montreal with little more than a film reel under his arm, Co Hoedeman had a dream to work for the National Film Board of Canada’s renowned animation unit.
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